An Interview With Visual Artist Minnie Yung By Matthew Bogdanow
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Artist Statement provided by Minnie Yung | |
MB: I’ll just start with asking what medium or media do you usually work with.
MY: Over the years I’ve been working with a variety of mediums. Since highschool,
I have been painting a lot because most of my highschool friends were painters, so
I only had access to knowledge in painting. I do enjoy playing with gradients and
different painting methods though, it is the most straightforward method to depict my
inner vision of my surroundings. But when I got into art school, I wanted to experiment
with other media because we have access to the materials in the studio. I became
interested in drawing especially after taking a drawing class with Neil Wedman. Learning
about negative and positive spaces, contouring, outlining, and the concept of drawing
drew me into this medium. Also through drawing, I get to enjoy the privacy of making art,
being able to sit, draw, and close my sketchbook. I enjoy photography and a bit of sculpture as well. I do photography because I enjoy observing the artifacts and architectures around me. As for making sculptures, I pursue because of the materials we have available to us in art school and I feel the need to use them for something, but I also find it very freeing and soothing to practice.
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Untitled, 2018 Dried seaweed snack | |
MB:Do you feel like you're trying to find a medium that you want to focus more on,
or do you just enjoy having that wide of a focus?
MY: I enjoy having that wide of a focus. That, to me, is the freedom of being an artist: not being
forced to work in only one medium and not having any real restrictions on your work.
MB: So why did you choose to pursue art?
MY: In high school I always hung out in the art room with all the art kids, and I always had an interest
in the subject. When I was younger, it was the only thing I could think of pursuing.
MB: So it just felt like a kind of natural progression?
MY: Yeah. It is a huge portion of my identity.
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Untitled, 2019 Chinese calligraphy paper, pen |
MB: So does your work focus on a main theme or do you have something you’re trying to achieve with your work?
MY: My themes always focus on what is present and on my mind. Because I use my surroundings as my inspiration,
my work takes a personal focus most of the time.
MB: So would you say you use your work as a way to communicate what you feel?
MY: Definitely to some extent. There are also times when I want to advocate for something and I don’t really know
how to do so through other forms, but I find I can do so through my art.
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Door, 2020 Acrylic on canvas |
MB: Have you seen your practice change since you started at SFU?
MY: Before I started the visual art program, my practice used to be
fully focused on drawing and painting and I didn’t know that art could
extend across so many different mediums. My practice is still changing
a lot, so much so that certainprofessors have commented on how
“all over the place” my work is.
MB: What is your dream project?
MY: My dream project is what I am currently working on in studio class. I've always wanted to make sculptures
recreating insignificant events with my mother that play as a remedy in my later adult life, events like my mom
washing my hair, cleaning my ears and etc. I say that it's a dream because I’m not as experienced and skilled
in making paper mache sculptures, so I’m not sure how it would turn out.
MB: Alright, last question. Any super power, what would you choose?
MY: Teleporting, I guess. It’s pretty convenient, I mean I’m kind of lazy so cutting out commutes
to a lot of different places would be pretty convenient for me. I could just go zoomp and I could
be in school instead of taking an hour to get there.
MB: That would be very nice.
MY: Or to be invisible and creep on people… No no no no no! That’s illegal. I wouldn’t creep on
people; I would just steal things, food.
MB: That’s also illegal.
MY: I mean, stealing is better than watching some stranger take a shower without them knowing, Right?
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What Are These French Cookie Things, 2020 |
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